Saturday, January 5, 2008

I Fucking Dare You To Buy Tender Forever's Wider


My prediction that women will start dressing like butch lesbians to attract men has already come true, and, although I knew it was going to be hot (check out the picture), I wasn't ready for this. Yesterday when I dropped by Reckless Records on the way home from the Loop I was thrilled to find a copy of Tender Forever's new LP Wider. K Records has been repping Wider pretty hard on its website recently, and I vowed to buy a copy after visiting the act's myspace page and being confronted with the cover of Justin Timberlake's "My Love" that plays as soon as the page loads. It might cause an involuntary roll of the eyes to see a K act categorize itself as "Soul" on its myspace page, but take my word for it: the tag is appropriate.

Tender Forever is the stage name of multi-instrumentalist Melanie Valera. Valera's music career started in a girl group cover band (ironically, that would be the ideal culmination of the music career of my dreams) in her native Bordeaux, France. So, like The Softies or Black Tambourine, Valera's songwriting is largely informed by Phil Spector-like compositions. But this isn't the late 80's, and Wider isn't that kind of K record. The fact that Valera lists Cody Chestnutt among the brief list of influences on Tender Forever's myspace page and the fact that she would cover a Justin Timberlake song conclusively shows that she is totally dedicated to soul and the institution of the love song and that she is perfectly willing to subvert counterculture expectations to maximize their effect. So she dances, flirts, (reportedly) gets emotional on stage, uses a drum machine--whatever it takes. And she musters up quite an amount of swagger, but the really compelling thing here is the vulnerability. Here is a person with apparently little musical training who is going to walk onto a stage, set up a laptop and start dancing and singing her heart out about love. And in true DIY fashion, all of the fragility, the awkwardness, all of the vulnerability just make the record more sexy.

I believe in the love song as an institution, like, say, Elvis Costello does. If you must know, last night I put on headphones and listened to The Ramones' cover of Phil Spector's "Baby I Love You" six times in a row before going to bed. But Valera's songs are even more about love than your typical love song; they're about finding a secret place in the back yard to kiss, about how fast your heart is beating and about how "like war," broken hearts last forever. They're about how even if you break my heart I'm willing to take all of that pain for the chance to be in love with you for just a little while. You know, I don't think I've ever heard any woman besides maybe Diana Ross talk about her "heart" as much as Valera does. Hearing the word repeatedly as I listen to this record sort of puts me in a trance, and by the fifth time I hear it I just want to fuck.

So, everybody agrees that independent records are a great way to learn things by example, right? The counterculture is overflowing with all kinds of people who learned how to dress or how to play guitar or to run a distro or that they should be anti-colonialists or anarchists or vegetarians or whatever just from listening to records. But here's a record that may actually inspire you to do something that matters in your life. And that's the powerful thing about this record--the thing that might have you on edge when you listen to it--because it might actually change you, or give you an ultimatum. Because Melanie Valera may actually get in your face, dance around and tell you that if you're not taking a big chance, then you're not actually in love right now.

Published December 2007. $10 if ordered directly from K Records.

www.kpunk.com

P.S.: Here's a Spanish language review of Wider from a blog called Fuck Me I'm Twee.

Thursday, January 3, 2008

DVD Review: Bobby (2006)


Yesterday, as I checked the mail at my P.O. Box, there was a little disc-mailer containing a case-less DVD of Emilio Estevez's 2006 film Bobby. As a devotee to Lindsay Lohan's film career, I had purchased the thing used over the internet, with a sort of "better late than never" attitude. Bobby is an interesting case. The film was quite well-received, winning several awards (Best break-out actress: Lindsay Lohan) Yet the movie did nothing at the box office and sold less DVDs than I Know Who Killed Me. Maybe that's because the movie is--well--boring, slowly imploding under the weight of the distractingly and confusingly star-studded cast. A useful and, I think, inevitable, exercise is to compare and contrast the movie with another Lohan-graced flop, Georgia Rule. And, after only a little reflection, I can confidently say that the Rule is the finer film.

Strangely, the two movies are, in many ways, sort of mirror images of each other, or opposite sides of the same coin. Georgia Rule stars Felicity Huffman as a delusional alcoholic; Bobby stars Williams H. Macy as a self-righteous prick. In Bobby, Lindsay Lohan has a bit part as a woman who selflessly marries some schmuck so he doesn't have to go to Vietnam, then (wait for it...) falls in love with him, whereas in Georgia Rule LL stars as a monumentally selfish girl who becomes intrigued with the possibility of preventing a Mormon boy from going on his mission, then realizes she's become dependent on his Platonic companionship. Both films feature particularly trying, extremely mannered direction--Emilio Estevez channeling Robert Altman, corralling dozens of actors and extras as his camera people do their 100th down-the-hall-and-around-the-corner-and-into-a-different-room take, and Gary Marshall being, well, overly Gary Marshall I guess. Bobby (supposedly) received a seven-minute standing ovation at The Venice Film Festival; Georgia Rule was universally panned by critics and audiences alike. Bobby is like a 3-ring circus with a million things happening at once, while Georgia Rule's story has one moving part. Perhaps most importantly, both movies are great examples of how people totally steeped in Hollywood's weird pseudo-reality can take any subject matter and make it utterly unrelatable to anyone born outside the TMZ.

Either way, for all of the films' parallel fuck ups, Bobby is the bigger fuck up of the two films. Bobby is one of those Hollywood back-patting circle-jerks that can only appeal to Los Angeles County liberals who truly believe that giving lip service to race issues and supporting one fabulously wealthy, magazine-cover-handsome man forty years ago makes them monumentally Good people forever. Georgia Rule, by contrast, pandered to absolutely no one--one might say to a fault. To Georgia Rule's credit, the film was able to take extremely commonly-treaded subject matter and make a huge splash with it. Even if the impression Georgia Rule left the audience with was one of confusion or even disgust, it makes more of an impression than Bobby, which is able to take an exceptionally exciting subject matter and do nothing but make a yawn-fest for all non-Venetians. Honestly, why do I give a shit that the hotel's retired doorman is really good at chess? And why the fuck is he hanging out with Harry Belafonte? Is Harry Belafonte paying himself in this movie? And by that point, you've lost the viewer for good. I don't mean to totally shit on Bobby, because there are some nice things about it; Christian Slater is quite good as the (admittedly totally one-dimensional) racist kitchen and hospitality manager, and the few brief scenes featuring Nick Cannon as the temperamental, hard-ass young black RFK campaign worker are awesome. I guess, when it comes down to it, the main problem with Bobby is the same simple problem the viewer encounters with most Hollywood movies--not enough Lindsay!

2008 Sees Launch Of Whisky-Themed Wiki

On the first of this year one Ian Buxton launched Whiskipedia.org, initially utilizing content provided by whisky author Gavin Smith. I, for one, am excited that there will be a free, centralized, and exponentially growing source of information about whisky on the internet.

Tuesday, January 1, 2008

AEM Bargain Bin Selection #2: The Clancy Brothers and Tommy Makem's In Person At Carnegie Hall


$0.49, Reckless Records. My friend Brendan's family is so Irish that I learned about The Clancy Brothers and Tommy Makem while sitting around the dinner table at their house. Put simply, this act is the gold standard when it comes to recording artists of Irish folk music, and the record of their 1963 concert in New York was a breakthrough record with regard the entire genre for American listeners. I was shocked to find this admittedly scratched up copy neglected in Reckless's bargain bin, and thrilled to listen to it's anthem in celebration of the IRA and what must be an unusually ribald rendition of Galway Bay. And, of course, it's even more fun to listen to it after a few drinks.

Wednesday, December 19, 2007

Finally Michael Lohan Says Something I Can Agree With

While being interviewed about his role as Joseph in some New York live nativity scene, Michael Lohan made one remark of timeless wisdom that will live on in the hearts of LL fanatics for ages: "Jesus can't compare to Lindsay." Amen.

Today's LL Too Gay To Function Story Brought To You By Page Six

Today the New York Post's Page Six ran a story claiming that Lindsay Lohan has been strutting around LA hand in hand with her new lover/cohabitor Courtenay Semel, daughter of Yahoo! CEO Terry Semel. Supposedly the happy couple have been living together for about a month, so idk if this is the "friend" at whose abode LL has been hiding since she left rehab or what.

Sunday, December 16, 2007

LL Dating Sober Man, Roughly Her Age

I'm not sure if I should be relieved or disappointed about this, but Lindsay Lohan is now dating some "Malibu designer" who claims to be only 24--and sober. His name is Spencer Guilbert. A wikipedia search turned up nothing.

Lohan Trades Interview For Hanna Montana Tickets

So I guess Lindsay called in to some Las Vegas AM talk radio show in order to score Hanna Montana tickets for the children of some friends of hers. During the brief interview that ensued, LL said her favorite fast food is McDonald's (good choice!) and she's currently in the studio working on her new album, which will be more "urban pop" than the last one (huh). She also said that her favorite TV guilty pleasure is "A Shot At Love With Tila Tequila"--apparently a really weird twist on the reality dating show genre that stars the erstwhile host of "Pants Off Dance Off."

Tuesday, December 11, 2007

Scotsman.com Adds New "Alcohol" Tab

Scotsman.com, the web presence of a leading news source in Scotland has added a new topical link to its sidebar. Yep, "Alcohol" will now be displayed as a link next to the other important issues for Scots--perhaps very appropriately situated between "Scottish Independence" and "Terrorism."

Monday, December 3, 2007

Guess Who's Single!

Boo-yah! Lindsay Lohan is back on the market after dumping professional loser Riley Giles. If you've been reading the tabloids, you know that Riley wasn't on his best behavior over the Thanksgiving holiday he spent with the Lohan clan in NYC. Guess Lindsay needs to find a guy she can bring home to mom. Aw...(*sniffle*)...she's growing up.